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- America
-
-
- (MARCH 3, 1924)
-
- America. D. W. Griffith has given the Revolutionary War its
- official camera test. It screens well--in particular the
- midnight ride of Paul Revere. In view of this producer's Birth
- of a Nation and the Klansmen's ride, it might be expected that
- he would express the drum beats of a rising nation with hoof
- beats; they charge right into the spectator's heart. But after
- the first half of his film Griffith reins in his Pegasus. He
- strives to increase the suspense by drawing out his scenes,
- which often makes them thin, haggard. His favorite trick of
- shifting scenes abruptly demands--at times--a jack rabbit
- alertness. but through it all runs a simple, yet eloquent
- romance. Griffith has made history and fiction listen to their
- master's voice. The battle of Bunker Hill is done with all the
- sincerity of the original. On the whole, a beacon light of
- American history, first of a series, well worthy of the backing
- of the Daughters of the American Revolution. Neil Hamilton is
- a capital hero (Barthelmess style), Lionel Barrymore a dynamic
- villain, and bird-like Carol Dempster acts very well when she
- isn't conscious of appearing on the same bill with George
- Washington.
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-